The print of the polo represents happiness and exuberant youth in the eyes of Li Xiaofeng.
æŽæ™“峰认为,马çƒè¡«çš„图案代表ç€å¹¸ç¦å’Œå……满生气的é’春。
Originally the reason for images of babies was to promote the births and good health of children in an era of high infant mortality. Li points out that joy continues exist even in a life that is always faced with difficulites, a life where we must continually reassemble the pieces after setbacks. Li photographed each of the shards and placed them in life-sized digital pattern of each part of the polo.
本æ¥é‚£äº›å›¾æ¡ˆä¸Šçš„å°å©å是为了在这个婴儿æ»äº¡çŽ‡å¾ˆé«˜çš„时代呼åå¥åº·ç”Ÿè‚²ï¼Œä¸è¿‡æŽè§‰å¾—图案上的那ç§è™Žè™Žç”Ÿæ°”也å¯ä»¥è¡¨ç¤ºï¼Œå³ä½¿ç”Ÿæ´»ä¸å……满了è†æ£˜ï¼Œæˆ‘们也还是è¦é‡æ–°æ•´è£…å¾…å‘,继ç»å¥½å¥½ç”Ÿæ´»ä¸‹åŽ»ã€‚他先给æ¯ä¸€å—碎瓷照了照片,然åŽæŠŠå®ƒä»¬åšæˆä¸ŽçœŸå®žæ¯”ä¾‹ä¸€æ ·å¤§å°çš„æ•°ç å›¾æ ·å°åœ¨é©¬çƒè¡«ä¸Šã€‚